Original art
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Empire of the Sun artwork
Chloe Dewe Mathews (British, b. 1982) Vebranden-Molen, West-Vlaanderen 2013 Soldat Ahmed ben Mohammed el Yadjizy Soldat Ali ben Ahmed ben Frej ben Khelil Soldat Hassen ben Ali ben Guerra el Amolani Soldat Mohammed Ould Mohammed ben Ahmed 17:00 / 15.12.1914 From the series Shot at Dawn © Chloe Dewe Mathews
This is an original, rolled, one-sheet movie poster from 1987 for Empire of the Sun starring Christian Bale, John Malkovich, Miranda Richardson and Joe Pantoliano. Steven Spielberg directed the film based on the novel by J.G. Ballard. John Alvin is the artist for the poster.
Conflict, Time, Photography brings together photographers who have looked back at moments of conflict, from the seconds after a bomb is detonated to 100 years after a war has ended. Staged to coincide with the centenary of the First World War, this major group exhibition offers an alternative to familiar notions of war reportage and photojournalism, instead focusing on the passing of time and the unique ways that artists have used the camera to reflect on past events.
Dr Marcus Bunyan is an Australian artist and writer. His art work explores the boundaries of identity and place. He curates Art Blart, art and cultural memory archive, which posts mainly photography exhibitions from around the world. He holds a Doctor of Philosophy from RMIT University, Melbourne, Master of Arts (Fine Art Photography) from RMIT University, and Master of Art Curatorship from the University of Melbourne.
Ms. Ractliffe, who lives in Johannesburg, took the photographs in 2009 and 2010 in Angola on visits to now-deserted places that were important to that country’s protracted civil war and to the intertwined struggle of neighbouring Namibia to gain independence from South Africa’s apartheid rule. South Africa played an active role in both conflicts, giving military support to insurgents who resisted Angola’s leftist government, and hunting down Namibian rebels who sought safety within Angola’s borders.
Cover image
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Want to showcase your love for travel, art, or a favorite hobby? Or maybe you want to project a more professional image? Our tool allows you to customize your cover photo to match your vibe. It’s quick, easy, and ensures your profile makes a lasting impression.
Your YouTube followers want to feel connected to you, so you must take every opportunity to build your channel’s brand. Let Desygner become your YouTube Banner Maker, and customise your profile with photos and text that best describe your videos. The more personality your channel has, the more people you will attract.
Theatrical artwork
Contemporary theatre reflects a vibrant evolution that intertwines technology, cultural discourse, and innovative formats. It continues to adapt, pushing the boundaries of traditional theatrical production and subject matter to resonate with modern audiences.
The house, brimming with spectators, is a testament to the allure of the live theatre experience. Audience participation and the energy of being part of an event as it unfolds live is unique to this art form.
Early in 1763, there was a riot at Covent Garden Theatre, during a performance of Thomas Arne’s opera Artaxerxes. The public had grown used to the custom of sneaking into a show’s second half at a concessionary rate. Covent Garden’s management, however, announced on its playbills that only full-price tickets for Artaxerxes would be available.
Behind the scenes, theatre is a complex art form rooted in ancient traditions that continue to evolve. The foundations of theatre art were laid in Greece, but throughout history, it has adapted to reflect the changing tastes and cultural narratives of societies around the world. Modern theatre continues to explore new narratives, methods, and technology, thus constantly redefining the boundaries of performance and audience engagement. This persistent transformation keeps theatre a relevant and dynamic form of cultural commentary and creative expression.
Jonson’s masterpiece The Alchemist would provide Garrick with one of his most enduring roles — that of the greedy, gullible tobacconist, Abel Drugger. Zoffany produced a superb painting of one performance (above), capturing the glint in Drugger’s eye as he imagines the boost to his business promised by the other two men on stage.